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Sanjhi: The lesser-known art form of Vrindavan

Image courtesy: ©Purnima Sharma

Soon after the monsoon clouds start floating away and the almanac brings in the Hindu month of Bhadon (that falls sometime around August- September), its 16-day lunar cycle raises the curtains on the Pitru Paksha period. Also known as ‘shraaddha’, this is the time when prayers are offered for the salvation of the family’s departed souls. While this is perhaps the only solemn period in the Hindu calendar, some splashes of colour and artistry do make an appearance in some temples of Vrindavan. And that happens during the Sanjhi Mahotsav- when many temple courtyards in the areas around Braj Bhumi come alive with artworks done by the temple priests.

According to ancient legends, when the young Lord Krishna would take his cows out for grazing, His consort Radha and her friends – the gopikas would spend the day decorating the floor and walls of their meeting place with beautiful patterns made of coloured powder, flowers, beads and stones.

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It’s all in the name


Image courtesy: ©Purnima Sharma

Since Krishna would be out most of the day, their meeting time would be in the evening or ‘sanjh’. Hence the name of the art form- sanjhi. It also stems from the word ‘sajawat’ or decoration. And the reason that a Sanjhi Mahotsav is organized in the shraaddha period is mostly practical. As Vaishnavacharya Sumit Goswami, a priest of Vrindavan’s Radha Raman Temple says, “The timing for the Sanjhi Festival was decided upon by our venerated ancestors just so that children of the temple do not get bogged down by the solemn mood of this period. To keep them interested and involved in the temple activities, sanjhi art started being made.”

Just as Radha made sanjhi during the day and kept it ready in the evening for Krishna, so do the priests in the hope that Lord Krishna will visit the temple and bless them all.

Designs that delight

Image courtesy: ©Purnima Sharma

This art form is usually made with the help of stencils on an ‘ashtkon’– an octagonal-shaped platform called Radha Yantra. Its central panel invariably has a drawing of Radha and Krishna in one of their popular poses. The surrounding patterns depict subsidiary scenes from their lives and around them are decorations of latticed designs and floral compositions. Work on the sanjhi often starts in the morning and takes more than 10 to 12 hours to be completed since great attention is paid to details and the intricate patterns.

Post the evening prayers the crowds are allowed a darshan (dekko) of the sanjhi before the artwork is cleared away. The floor space is readied for a brand new sanjhi to be made in its place the next morning.

Change, the only constant

Image courtesy: ©Purnima Sharma

Over the years, with new ideas, sanjhi too has evolved and changed. Besides the floor, it is now also being made on the surface of water and on canvases with oil and water colours. Priests are taking sanjhi outside the temple precincts too through workshops and presentations to let more and more people become aware of this art form.

This year, the Sanjhi Mahotsav is being organised from September 25th to 28th.

AUTHOR'S BIO: Having long been a journalist with the mainstream media and a broadcaster with All India Radio, Purnima Sharma is now enjoying her stint as an independent writer. The Delhi-based journalist is happiest writing on people, places...and anything that touches the heart. You can read more of her work on